Thursday, 14 December 2017
Thursday, 13 July 2017
In my former existence as Video Editor at Stuff.tv, I would be invited to attend/film a great many events - a fair number of these weren't relevant to the magazine or website, so it would either be a jolly, or we usually wouldn't even go.
When I received the email about Alien Escape, however, I jumped at the chance. Who cares if they're covering it at my (now) old job...? You might have noticed a bit of Alien coverage here at MiniModelPaint.com over the years. I'm a tad obsessed.
Alien Escape is a micro interactive installation, contained within the classic Madame Tussaud's attraction, and puts you in the universe of xenomorphs onboard the USSC Covenant.
After a photo op with Walter - one of the more lifelike waxworks I've seen at Tussaud's (android irony withstanding) - you're led through a series of spaceship corridors, encountering eggs, facehuggers, dead crewmembers and just enough shock-scares to get you through to safety.
If there's a criticism, it's that it's too short and too fast - I found that there wasn't anywhere near enough time to look at the exquisite modelling work that has gone into the installation. Just look at this:
In my mind, that's living the dream - getting paid to build full-size monster models full-time. Nice that some of us can do it part time - even if it's mostly to a smaller scale...
Alien Escape is open from July 15 at Madame Tussaud's, and is included in the price of entry to the whole attraction.
Disclaimer: I didn't get paid to write this, but I did drink a lot of their booze...
Sunday, 9 July 2017
So it finally happened.
After nearly ten years in the most slowly-progressing McJob ever, the company decided that there actually wasn't anywhere for me to go, career-wise, so they made my post redundant.
No doubt it'll be refilled in a few months' time by a cheaper junior with a completely different title, and slightly tweaked job spec, but put a fork in me, I'm done!
But it's not doom and gloom in any way. It means I'm now able to offer my video services on a freelance basis; I can spend more time with my kids, and I can spend some proper time with this here hobby.
I've been progressing slowly on the Gremlin - it's been 2 steps forwars, 1 back a lot of the time. This weekend I repaired the wrist and arm breaks that happened (thanks go to the dog), but in doing so, I broke the join on one of the ears.
I'm going to have to build a simple jig to hold the Gremlin in various positions - without resting his weight on anything but his feet.
Next on the to-do list is reshaping and fitting the mohawk spines to the head and down his back. They're an awful fit, so I have some filling and blending work to sort there, too.
Then it's just a case of finishing the paint. Match up the torso and the head for contrast and tonality, fix the chips that happened wheb he fell, and get the details dotted in.
But can I do this before the kids finish school for the summer? Here's hoping. My poor client must be fuming by now... sorry chap.
Monday, 22 May 2017
I sit typing this, rocking on my garden chair, my dog asleep on a patch of soil in front of me, and my lovely wife clattering in the kitchen behind me. Maybe I should be helping her.
As I swing, however, I'm distracted by the large blue structure in front of me - and also the wasteland that used to be a nice, well-manicured lawn - but mostly the blue structure. Some would call it a shed; others a money-sink. To me, though, it is the promise of something good: a blue wooden box with infinite interior space for ideas and creativity.
The build went a little something like this:
Dig hole, lay sand, gravel, scrape and level, drop flagstone on foot.
REPEAT until nearly dead.
Friday, 28 April 2017
One of the most important things to learn as a commission painter (or freelancer in general) is how to, and when to, say 'no'.
Not 'no problem - I can finish that custom Battlesuit diorama by the end of the week', but 'no. I can't take that on right now'
Sometimes you need to employ the same methodology with yourself. This week I had the usual newsletter from Wonderland Models, telling me about their massive discounts on stashable plastic. I usually scroll through and hit delete.
In this missive, however, something caught my eye: Dragon's 1:35 Patriot SAM Launching Station (PAC-3) - down from £84.99 to £29.99
I did some extra digging to figure out just why this would be a near-£100 kit. I'm not an armour expert, and the only previous experience I have of this price range is Games Workshop's medium-sized robot-suits, like the £90 Tau Stormsurge.
Look at this! Detail, size, poseability! £90!
Now look at this:
Detail. Size. Poseability. £90. No - now it's £30.
(To be fair, I'm not trying to belittle GW's product - it's made for playing a game, and is way more durable than Dragon's display model. But it is pricey)
My internet trawling tripped me up a few times, as Dragon has a larger kit with the tractor vehicle as well as the missile launching trailer. Trumpeter has a similar giant kit for about £80, but has photoetch parts as well as plastic sprues.
This kit, though is just the trailer. Still a lot of kit for £30. Very tempting.
But I must resist. It's taken me a good day away from a computer or phone to get some perspective. Shortage of funds, limited storage, other projects - all of this is saying I have to spend my money elsewhere.
Like finishing my new workshop/shed - that £30 will go a long way to buy gravel and sand, so the ground and the shed are level!
And this is where I realise that I need to say 'no' to myself, too. I can't take on this project at the moment, and even if it looks like a great deal, the model isnt something I'm desperate to have in my stash.
When Wonderland has another sale on a big kit, I'll consider it - but only if my shed is done...
Tuesday, 14 February 2017
This here monster takes a lot of sticking.
I'm using 2-part epoxy for long-term stick, CA for quick adhesion, and Milliput to fill and strengthen the gaps.
I've already talked about filling the inside with expanding foam, and the importance of making sure the holes are properly sealed.
Thankfully I caught this before mixing up the foam. Nothing like wasting expensive chemicals and having them pour all over the kitchen counter! The cleanup on the model detail would also be a pain. Foam is fluffy and sticky, and not great for cutting. It is good for keeping things structurally sound, though.
This vinyl kit, as mentioned before, has a few issues. It's a repop (yuk) and certain aspects haven't translated well in the copying process. The mouth, for instance, has some weirdness between the lips, which needs heating and cutting, and maybe resculpting.
Likewise, the elbow joints are unwieldy. Either one side fits well, or the other. I'm not exactly new to reshaping vinyl under heat, but this kit has not been quality controlled like the original Kaiyodo would have been. Shame, but then that's what separates us from the snap kitters.
Here you can see what used to be a massive gap, filled with Milliput. In addition to the standard filler work, however, I've added some scales to match the surrounding details, and textured the 'smoother' areas by pressing the other arm into the Milliput to match the surface detail. I'm not a sculpter by any definition of the word, but blending in these failures in the repop kit will help sell the idea of realism to the eventual audience.
And that's what we do, right? Try and sell the idea of realism in a medium that's not realistic?
How many times have we looked at spaceship kits, or 40k minis, and said 'how can I make this more realistic'?
So the kit isn't exactly as planned, but it'll be structurally solid, and it won't fall over when it's done. It looks good, and even on close inspection it looks consistent within the world it's set in.
And that's the compromise. Do we make it work, regardless, or try and stick to the original intention of the kit designer?
Hopefully both, but if there's wiggle room, I think it has to be in favour of the builder, and artistic interpretation.
The other arm didn't have as many issues. Who knows why? I didn't have to sculpt scales - only some textured filling.
But that, I guess, is the nature of vinyl.
Sometimes it works perfectly, and sometimes you cut the wrong bit and it doesn't fit at all. Sometimes, of course, it's not your fault at all.
And that's the story I'm sticking to.
Wednesday, 1 February 2017
Things have been a tad quiet on the blog front lately. It looks like I last posted in September 2016.
It's February 2017 now, and the world has changed a fair bit: America has reverted to an older, scarier, time, PETA thinks that Warhammer figures should stop wearing fur, and Britain's MPs have just voted to get its citizens on the coastline, armed with paddles, ready to row away from the 'evil European Empire', right into a dystopian future that sci-fi authors have been predicting for the last 100 years.
Also, I moved house,
acquired a dog,
and took on another commission.
The house is bigger than our flat was, but it lacks a garage for storage and workspace. The puppy is unnecessarily huge, is teething, and always hungry. The commission is scarily mahoosive, creatively exciting, but ethically a smidgen grey. Hang on. We'll get there.
Over the last couple of months, I've turned my hand to a number of new skills: I've learned to lay carpet and laminate flooring, as well as some plumbing basics, I really wish I didn't need to know.
I now have the skeleton of a shed that will act as my new hobby zone - a 6x10ft with asymmetric pitched-roof, which I plan to insulate and electrify, so I can film and livestream - and also build and paint in the old-fashioned 'get on with it' way.
I wasn't planning on the weather turning so foul, though - the garden is consistently wet and muddy, so getting the groundwork even started is next to impossible at the minute. Hobby work will have to continue in the kitchen...
I also wasn't planning on the dog. My stepson reminded me that my wife and I had promised that if we lived in a house, rather than a flat, that we could have a dog. Good logic, I guess. So, a couple of days before Christmas he turned up with a shivering, stinky dark mess he'd just bought from a random guy on Gumtree. No paperwork, so we had him checked out at the vet on Christmas eve, and then chipped and vaccinated. Teddy, as we named him, is a gorgeous mutt of questionable origin, with a taste for socks, slippers and my arms. A DNA test will sort out his breed(s), but it can wait a while. He's also older than we were told, and if he's not snoring, he's tearing around the place or chewing on our new sofa. There's an op that he needs soon that would make most men wince, so right now, quiet afternoons of fine-detail assembly in the dining room are highly unlikely. Bring on the good weather! Bring on the shed!
Just to rub it in, my mum just had this built for her paper crafting hobby
Yeah. Not envious.
So then, the commission - and the real reason you're reading this post. It's a Gremlin. A lifesize Mohawk from Gremlins 2. And it's from a repeat customer! The chap who now owns the Aliens Chestburster that I made last summer emailed me and asked me to take on this project.
The original vinyl kit was made by Kaiyodo a long time ago, and was beautifully detailed. I realised, late on in discussions with my client, that he bought the kit from a site that deals in rare and OOP kits. I emailed the owner of the store, who unashamedly confirmed that most of his stock is recast resin and vinyl.
If you follow this blog at all, you'll know how I feel about recasts - they're bad for the hobby.
Forget about the copyright infringement issues for a minute, and that the right money doesn't go to the artists who created these models - repops tend to be of inferior quality to keep the prices down, and because of this, details can be soft, parts might not fit well etc, etc. I'm sure I'm repeating myself, but they're a blight to our little niche industry.
My client didn't realise he'd bought a recast kit, and as we'd already agreed a rough timescale and price, I decided to build the beasty for him. I did let him know that the kit wasn't an original Kaiyodo, and he was properly disappointed. I doubt he'll buy anything from that particular web store again.
If you can put up with my own hypocrisy for this project, it's a rather exciting build.
There are definitely issues with it. We can overcome these with the old techniques of building things well. Scratch building, reinforcing, and a PhD in glue management and expanding foam will be needed here.
So let's begin.
It's vinyl. It's 2ft+ tall, and it has massive ears. Top-heavy? You bet. Better learn about foam filling.
This is a 2-part, expanding foam which grows up to 8x the component volume. At the right temperature.
it should look like this when cured.
So I filled all the parts with water, and measured them so I could work out how much foam I'll need.
The legs come in two sections - and annoyingly join at the bridge of the foot. This is where all the model's weight will be resting, so along with the foam, I'll be attaching some reinforcing metal bar.
At this point, the foot has been glued with epoxy, and has a bent metal bar inside. Gotta fill the seam before I fill the leg with foam.
With both legs glued and filled, it's on to the next step...
...and that's for next time!